Gen Z: 1 Kings 7
1Solomon was building his crib for thirteen years, and he totally finished it.
2He also built the house of the forest of Lebanon; it was a hundred cubits long, fifty cubits wide, and thirty cubits tall, all on four rows of cedar pillars, with cedar beams on top.
3It was decked out with cedar on the beams, chillin’ on forty-five pillars, fifteen in each row.
4There were windows in three rows, and light was vibing with light in three layers.
5All the doors and posts were square, with the windows: light was vibing with light in three layers.
6He made a dope porch of pillars; it was fifty cubits long and thirty cubits wide: and the porch was right in front of them, with other pillars and a thick beam chillin’ there too.
7Then he built a porch for the throne where he could judge, the porch of judgment: it was all covered with cedar from one side to the other.
8His house where he lived had another court inside the porch, which was just like this porch. Solomon also made a house for Pharaoh's daughter, whom he married, just like this porch.
9All these were made of pricey stones, cut to size, sawed with saws, inside and out, from the foundation to the top, and on the outside towards the big court.
10And the foundation was made of those expensive stones, like really big stones, stones of ten cubits, and stones of eight cubits.
11Up top were some fancy stones, all cut and polished, plus cedar vibes.
12The big court had three layers of those cut stones and a row of cedar beams, all for the Lord’s house and the porch—totally lit.
13King Solomon hit up Hiram from Tyre, no cap.
14Dude was a widow's kid from Naphtali, and his pops was a brass pro from Tyre. He was mad wise and crafty with the brass work. Solomon was like, "Come through."
15He threw down two brass pillars, each 18 cubits tall, and wrapped 'em with a 12 cubit line.
16Made two brass tops for the pillars, each five cubits high—straight fire.
17He crafted nets with a checker vibe and chains for the tops of the pillars; seven for one and seven for the other—bussin'.
18He decked out the pillars with two rows around each network, covering the tops with pomegranates—so extra.
19The tops of the pillars had lily designs in the porch, standing at four cubits—real aesthetic.
20The tops on both pillars also had pomegranates chillin' above, all around the network, with 200 pomegranates in rows on the other top—pure rizz.
21He set up the pillars at the temple entrance: the right one’s called Jachin and the left one’s Boaz. Major vibes.
22The tops of the pillars had some lit lily designs: and that's a wrap on the pillar work.
23He crafted this sick molten sea, ten cubits across, round like a vibe, and five cubits high: it was a whole mood.
24Around the brim were ten knobs, all around it: they were cast in two rows, real aesthetic.
25It was chillin' on twelve oxen, three facing each direction: north, west, south, and east; the sea was above them, and their backs were hidden.
26It was thick like a hand’s breadth, and the brim was styled like a cup, with lily vibes: it held two thousand baths.
27He made ten brass bases; each one was four cubits long, four cubits wide, and three cubits tall.
28The bases had some sick borders, and the borders were between the ledges: real clean.
29On the borders between the ledges were lions, oxen, and cherubims: and above the ledges was a base, with some cool designs beneath the lions and oxen.
30Each base had four brass wheels and brass plates: the corners had supports, and beneath the laver were molten supports, all on point.
31The mouth of it was a whole cubit inside, but the outside was round like the base, a cubit and a half, with some dope engravings around the edges, square vibes, not round.
32Under the edges, there were four wheels, and they were all connected to the base, with each wheel being a cubit and a half tall, no cap.
33The wheels were lit, just like chariot wheels, with their axles, hubs, rims, and spokes all melted together, pure rizz.
34There were four supports at the corners of one base, and they were part of the base itself, fr.
35On top of the base, there was a round compass half a cubit high, and the ledges and borders were all matching, periodt.
36He engraved cherubims, lions, and palm trees on the ledges and borders, all proportioned and looking bussin.
37He made ten bases this way: all of them were the same casting, same measure, same size, no cap.
38Then he made ten brass lavers, each one holding forty baths, and every laver was four cubits, placed on each of the ten bases.
39He put five bases on the right side of the house and five on the left, with the sea chilling on the right side, facing east and south.
40Hiram made the lavers, shovels, and basins, finishing up all the work he did for King Solomon’s house, and it was all goated.
41The two pillars and the bowls chillin' on top, plus those dope networks covering the bowls. Vibes.
42Four hundred pomegranates for the two networks, two rows for each network to flex on those bowls. Bussin'.
43Ten bases and ten lavers just chillin' on those bases, no cap.
44One sea and twelve oxen under it, straight up lit.
45The pots, shovels, and basons made by Hiram for King Solomon's crib were all shiny brass. Goated.
46The king dropped them in the Jordan plain, between Succoth and Zarthan, savage move.
47Solomon didn't even weigh all the vessels 'cause there were way too many; the brass weight was sus.
48Solomon crafted all the stuff for the Lord's house: the gold altar and the gold table for the showbread, periodt.
49Candlesticks of pure gold, five on the right and five on the left, flexing before the oracle with flowers, lamps, and gold tongs.
50Bowls, snuffers, basons, spoons, and censers of pure gold, plus gold hinges for the inner house doors and the temple doors. Slaps.
51And that’s a wrap on all the stuff King Solomon did for the Lord's crib. He brought in all the lit things his dad David dedicated—silver, gold, and the dope vessels—straight into the treasures at the Lord's house.